Terminator 2 - Tag der Abrechnung (1991)

DISC 1 (DVD-9)

Hauptfilm - Special Edition

• Special Edition 146:53 Min. (142:32 Min. o. A.)
  Audiokommentar von James Cameron und seinem Team
• Mission Profiles
  • Arnold Schwarzenegger (17 Screens)
  • Linda Hamilton (9 Screens)
  • Edward Furlong (6 Screens)
  • Robert Patrick (12 Screens)
  • James Cameron (17 Screens)
  • William Wisher (3 Screens)
  • Adam Greenberg (11 Screens)
  • Brad Fiedel (12 Screens)

DISC 2 (DVD-9)

Extras

Alle Extras wahlweise mit spanischen, portugiesischen oder niederländischen Untertiteln

• Information Programs
  • "The Making of Terminator 2: Judgement Day" (30:54 Min.)
    30-minute documentary on the making of the feature film
  • "T2: More Than Meets the Eye" (22:02 Min.)
    22-minute special discussing omitted scenes and the Special Edition
  • "The Making of Terminator 2 3D: Breaking the Screen Barrier" (23:09 Min.)
    23-minute featurette on the creation of the MCA/Universal Studios 3D theme park attraction
• Visual Campaigns
  • Teaser Trailer, "Building the perfect Arnold (1:21 Min.)
  • Theatrical Trailer, "This time there are Two" (1:46 Min.)
  • Theatrical Trailer, "Same Make, New Mission" (2:04 Min.)
  • T2 Special Edition Trailer, "More than Meets the Eye" (2:35 Min.)
• Data Hub
  • Source Code: Terminator 2: Judgement Day Original Screenplay / Script (574 Screens)
  • Tactical Diagrams
    • Future War (60 Screens)
    • Arrivals (14 Screens)
    • Nightmare #1 (55 Screens)
    • Mall Battle (41 Screens)
    • Canal Chase (66 Screens)
    • The Voights (20 Screens)
    • Hospital (67 Screens)
    • Nightmare #2 (33 Screens)
    • Dyson's Death (21 Screens)
    • Helicopter (17 Screens)
    • Van Chase (39 Screens)
    • Tanker Chase (167 Screens)
    • T-1000 Reforming (59 Screens)
    • Mill Fight (19 Screens)
    • Two Sarahs (48 Screens)
    • Molten Pit (26 Screens)
    • Future Coda (7 Screens)
  • Data Core
    • 1. Introduction (9 Screens)
    • 2. Table of Contents (10 Screens)
    • 3. DEVELOPMENT (8 Screens)
    • 4. Screenplay (34 Screens)
    • 5. Research (108 Screens)
    • 6. Design (136 Screens)
    • 7. Storyboards (22 Screens)
    • 8. PRE-PRODUCTION (8 Screens)
    • 9. Casting (20 Screens)
    • 10. Production Logistics (49 Screens)
    • 11. Location Scouting (121 Screens)
    • 12. The Sets (119 Screens)
    • 13. Training (16 Screens)
    • 14. PRODUCTION (7 Screens)
    • 15. Props and Costumes (37 Screens)
    • 16. Makeup (121 Screens)
    • 17. Cinematography (67 Screens)
    • 18. Location Shooting (58 Screens)
    • 19. Stage Shooting (4 Screens)
    • 20. Stunts and practical Effects (27 Screens)
    • 21. Weapons (29 Screens)
    • 22. VISUAL EFFECTS (11 Screens)
    • 23. Industrial Light & Magic (219 Screens)
    • 24. Stan Winston Studio (247 Screens)
    • 25. Fantasy II Film Effects (76 Screens)
    • 26. 4-Ward Productions (69 Screens)
    • 27. Pacific Data Images (19 Screens)
    • 28. Video Image (99 Screens)
    • 29. Pacific Title (22 Screens)
    • 30. Process Photography (21 Screens)
    • 31. POST-PRODUCTION (11 Screens)
    • 32. Editing (26 Screens)
    • 33. Sound Design (32 Screens)
    • 34. Music (22 Screens)
    • 35. Printing Process (50 Screens)
    • 36. Video Transfer (27 Screens)
    • 37. Restoration (16 Screens)
    • 38. Omitted Scenes (22 Screens)
    • 39. PUBLICITY (7 Screens)
    • 40. Marketing Concept (14 Screens)
    • 41. Teasers and Trailers (65 Screens)
    • 42. Posters and Ads (100 Screens)
    • 43. Press Materials (21 Screens)
    • 44. Promotions (33 Screens)
    • 45. Critical & Public Response (22 Screens)
    • 46. Merchandising Catalog (175 Screens)
    • 47. International Appeal (88 Screens)
    • 48. T2/3D (268 Screens)
    • 49. Epilogue (24 Screens)
    • 50. Disc Credits (50 Screens)
  • Interrogation Surveillance Archives
    • Writer/Director James Cameron and co-writer Bill Wisher discuss working together on the script (1:07 Min.)
    • Writer/Director James Cameron and co-writer Bill Wisher discuss the writing process (1:42 Min.)
    • Writer/Director James Cameron discusses researching for the film (1:12 Min.)
    • James Cameron and designer Steve Burg discuss the design challenges of the film (1:20 Min.)
    • Effect Designer John Brund discusses the previsualization process (0:29 Min.)
    • Casting director Mali Finn discusses the casting of the film (0:46 Min.)
    • Mali Finn, James Cameron and actor Edward Furlong on the Casting of John Connor (3:03 Min.)
    • Mali Finn, James Cameron and actor Robert Patrick on the casting of the T-1000 (1:30 Min.)
    • Co-producer Stephanie Austin discusses the logistics of filming Terminator 2 (0:50 Min.)
    • Production designer Joseph Nemec III on approaches to "T2's" production design (1:01 Min.)
    • Robert Patrick, Linda Hamilton and trainer Uzi Gal discuss the weapons and physical training for the film (2:08 Min.)
    • Behind-the-scenes montage on one of the costuming challenges of the film (0:50 Min.)
    • Makeup effects creator Stan Winston, key makeup artist Jeff Dawn and actor Arnold Schwarzenegger discuss the Terminator makeup work (2:12 Min.)
    • Behind-the-scenes montage on the location shooting for the film (1:14 Min.)
    • Behind-the-scenes montage on the stage shooting for the film (0:31 Min.)
    • Stunt coordinator Joel Kramer discusses stunts and practical effects (1:09 Min.)
    • Behind-the-scenes on the shooting of the SWAT von crashing into the Cyberdyne lobby (0:19 Min.)
    • Behind-the-scenes on the preparations and shooting of the Cyberdyne explosion (0:16 Min.)
    • Behind-the-scenes on the practical effects in creating the look of the steel mill (0:18 Min.)
    • Behind-the-scenes on the shooting of the tow truck jump into the flood control channel (0:29 Min.)
    • Behind-the-scenes on the shooting of the tanker truck sliding on its side at the steel mill (0:28 Min.)
    • Stembridge Gun Rental's weaponsmaster Harry Lu discusses the weaponry of "T2" (1:25 Min.)
    • ILM's Steve Williams and visual effects supervisor Dennis Muren discuss building a digital puppet of the T-1000 (0:42 Min.)
    • ILM's Mark Dippe, Steve Williams, Jay Riddle and Dennis Muren on animating the T-1000 character (0:53 Min.)
    • ILM's Mark Dippe on putting the computer-generated T-1000 character into the scene (0:37 Min.)
    • ILM's Steve Williams, Mark Dippe and Dennis Muren discuss doing the computer graphics shots (0:44 Min.)
    • ILM's Dennis Muren and Steve Williams on working with writer/director James Cameron (0:27 Min.)
    • Terminator effects and makeup creator Stan Winston on creating characters (1:28 Min.)
    • Behind-the-scenes on the creation and shooting of the T-1000 shotgun hits (0:31 Min.)
    • Behind-the-scenes on the creation and shooting of the T-1000 posing as John's foster mother Janelle Voight (0:31 Min.)
    • Behind-the-scenes on the creation and shooting of the burning Sarah puppet for the nuclear nightmare (0:36 Min.)
    • Behind-the-scenes on the creation and shooting of the Terminator walking puppet used in the Cyberdyne shootout (0:38 Min.)
    • Behind-the-scenes on the creation and shooting of the T-1000 "donut-head" effect (0:26 Min.)
    • Behind-the-scenes on the creation and shooting of the T-1000 "cleave-body" effect (0:28 Min.)
    • Behind-the-scenes on the creation and shooting of the T-1000 "pretzel-man" effect (0:28 Min.)
    • Fantasy II Film Effects VFX supervisor Gene Warren Jr. discusses the Future War sequence (0:52 Min.)
    • Fantasy II's Gene Warren Jr. discusses the stop-motion endoskeleton process shot that took three months to complete (1:13 Min.)
    • Fantasy II's Gene Warren Jr. discusses the creation and the shooting of the miniature tanker truck (0:32 Min.)
    • 4-Ward Productions' VFX supervisor Robert Skotak discusses the creation of the nuclear nightmare sequence (0:36 Min.)
    • 4-War Production's supervising DP Dennis Skotak discusses the radiating blast shot from the nuclear nightmare sequence (0:32 Min.)
    • 4-Ward's Robert and Dennis Skotak discuss the miniature building shots from the nuclear nightmare sequence (1:31 Min.)
    • 4-Ward's Robert Skotak on the miniature steel pour created for the steel mill sequence (0:29 Min.)
    • 4-Ward's Dennis Skotak on shooting mercury for the reforming of the T-1000 at the steel mill (0:32 Min.)
    • James Cameron, effect designer John Bruno and co-producer Stephanie Austin discuss the use of process photography in the film (1:01 Min.)
    • James Cameron and film editors Conrad Buff, Mark Goldblatt and Richard Harris discuss the editing of "T2" (1:51 Min.)
    • Multi-Angle presentation of the dailies from the helicopter acquisition sequence, with subtitles for shooting dates and locations (2:31 Min.)
    • The final helicopter acquisition sequence from the film, with subtitles to illustrate shooting dates and locations (1:00 Min.)
    • Sound designer Gary Rydstrom on the sound design philosophy for the film (0:25 Min.)
    • Multi-audio demonstration of sound effects layering for a single shotgun blast, with Gary Rydstrom commentary on an alternate audio channel (0:40 Min.)
    • Sound designer Gary Rydstrom on sound effects editing (0:21 Min.)
    • Multi-audio demonstration on the creation of "T2" sound effects, with final film audio on the main track and isolated sound effects on an alternate audio channel (0:51 Min.)
    • Multi-audio sound layer demo for the steel mill fight, with ambience, foley, sound effects, music, final mix, and two Gary Rydstrom commentaries on alternate audio channels (1:10 Min.)
    • Composer Brad Fiedel discusses the musical scoring of "T2" (1:57 Min.)
    • Composer Brad Fiedel and music editor Allen Rosen discuss music mixing for the film (1:13 Min.)
    • Demonstration of the video transfer process on "T2" for seperate letterbox and full-frame (Pan&Scan) versions from a Super-35 negative (1:00 Min.)
    • James Cameron discusses the creation and validity of special effects (0:46 Min.)
    • Omitted scene of the T-1000 searching John's room, with commentary by James Cameron and Rober Patrick on an alternate audio channel (1:24 Min.)
    • Omitted scene of the original "Future Code" ending, with commentary by James Cameron, Stephanie Austin, Stan Winston and Linda Hamilton on alternate audio channels (0:47 Min.)
    • Brief montage of the "Terminator" fan convention held in Los Angeles just before the release of "T2" in 1991 (0:30 Min.)
    • The polyglot Terminator (0:25 Min.)